As the mastermind behind the Warped Tour, the alternative music festival that will soon celebrate its 15th summer, Kevin Lyman has been battered with criticism from musicians and music-lovers alike. They claim his tour is oversaturated with corporate sponsors and that tickets are overpriced. They complain that musicians on the tour are too popular or that the tour has lost touch with its punk-rock roots. They say, of course, that Lyman has sold out.

In order to see what’s beneath this surface, Lyman’s perspective seems critical, almost mandatory. In an interview with Dane Erbach, he comments the controversial decisions he has made over the past fifteen years and the evolution of his “traveling circus,” alluding to what it is that makes the Warped Tour musically and culturally significant.

Source As the mastermind behind the Warped Tour, the alternative music festival that will soon celebrate its 15th summer, Kevin Lyman has been battered with criticism from musicians and music-lovers alike. They claim his tour is oversaturated with corporate sponsors and that tickets are overpriced. They complain that musicians on the tour are too popular or that the tour has lost touch with its punk-rock roots. They say, of course, that Lyman has sold out.

In order to see what’s beneath this surface, Lyman’s perspective seems critical, almost mandatory. In an interview with Dane Erbach, he comments the controversial decisions he has made over the past fifteen years and the evolution of his “traveling circus,” alluding to what it is that makes the Warped Tour musically and culturally significant.

Source